This is a strange day.
It seems that I've said this on each of my last several shows but this gig isn't closing out as usual.
I've gotten used to being that last man out, that single soul left to shut down the facility, to send back the office rentals and to walk through with the landlord. There's something cathartic about it, about walking the ghostly halls once so abuzz with the clatter and cacophony of movie making. I like the spiritual punctuation of locking the door behind me, ending the project with the loose ends all tied, knowing that that chapter of my professional life has been proofread and sent to the archives of my career.
Times are good for film makers in Atlanta, though, and a new project from the same studio is moving into this space directly on our heels. Thus, I've not sent back the copiers or the furniture. I've not cleaned out the kitchen. I'm not going to lock the door behind me. All I'm doing is closing the vendor accounts, tidying the office and changing the sign on the door. On Monday a new Production department strolls in, takes over the vacated desks and resets the clock.
I'm left to float in the void of idleness, without a gig and bereft of the neat coda that normally concludes a job.
No complaints, though. The next job will come soon enough and I will be redeployed to the front lines of the celluloid campaign. I should enjoy the R&R while I have it.
Good gate. Moving on.